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SoundStage! Insights Presents: KEF and the Uni-Q

Thanks to the great team at SoundStage! Insights for this excellent video on the design and manufacture of our Uni-Q and the products the Uni-Q goes in to.

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Masters of Sound - On the Road to the Grand Ole Opry: Show Time!

There are very few times – if any – when you can say you were in a room the day a star was born. As I write this on the plane back from Nashville I have no doubt that last night in a reception room at the Grand Ole Opry during Rainey Qualley’s Opry debut, I got that chance.

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Masters of Sound - On the Road to the Grand Ole Opry Day Three

Day Two of the Masters of Sound shoot was to revolve around a recording session of three songs from Rainey Qualley’s debut EP Turn Down The Lights, and a cover of the Motown classic Ain’t Too Proud to Beg. I arrived at the studio at 8:02 figuring I’d be alone for a while, but the video crew, audio engineer and assistant engineer were already working. The main work straight out of the box is setting the tracks and getting the microphones set up and connected to the console.

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Masters of Sound - On the Road to the Grand Ole Opry Day Two

Part Two of our series chronicling the production of our next Masters of Sound video and up and coming artist Rainey Qualley’s week leading up to her debut at the Grand Ole Opry takes a look at the behind the scenes work that goes into the production of a video.

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KEF Masters of Sound - On the Road to the Grand Ole Opry with Rainey Qualley

I got to spend a week with Rainey Qualley and her production and management team preparing our next Masters of Sound video and getting an inside look at life leading up to the Grand Ole Opry. The video itself is being filmed and edited by the stellar crew from Nashville-based Gear Seven, and the studio and logistic support from the good folks at Zavitson Music Group and Cingle Records has made this a really fun project to be a part of.

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The Reference: Designing the Crossovers and Voicing the Loudspeakers

With the release of the new Reference Series last year, we raised the bar on our already lofty standards of audio reproduction. I know that sounds like marketing jibber-jabber, but the truth is, we're all very proud of how amazing The Reference line sounds. This was accomplished a number of different ways, not the least of which was the painstaking method we selected crossover components and voiced the loudspeakers themselves.

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